Melinda Snodgrass acquired the thought for her science fiction novel The Excessive Floor when she began excited about how terrible human beings might be.
“I had a sudden imaginative and prescient of this nine-foot-tall alien ant-like creature with mandibles and claws—only a hideous, horrifying creature,” Snodgrass says in Episode 370 of the Geek’s Information to the Galaxy podcast. “And it was cowering in absolute terror from a small human holding a machine gun. And I acquired to excited about humanity and our tendency to be actually imply, imply monsters.”
The novel takes place in a universe by which a human empire known as the Photo voltaic League has subjugated 5 alien species, who now reside as servants and second-class residents. Snodgrass thinks it is a fairly believable first contact state of affairs.
“If we do invent a faster-than-light drive, and exit into the universe, and meet different aliens, I’m satisfied that the very first thing we’ll do is kick the holy crap out of them,” she says. “So as a substitute of us at all times preventing off the invading aliens, we are the invading aliens.”
She additionally believes that any ethical progress people have made is far more tenuous than individuals notice, and that ladies’s rights may rapidly vanish if childbearing grew to become a precedence, as is the case within the Photo voltaic League. “If you’re going out into area and colonizing planets, should you occur to finish up on a planet that isn’t a goldilocks planet—a really Earth-like world—the place there’s a harsh setting, the factor that turns into a valuable commodity is your capability to maintain the inhabitants,” she says. “So over the following years, girls fall again into a way more conventional function.”
All of that creates a variety of battle for her character Mercedes de Arango, one of many first girls to attend the Photo voltaic League’s elite army academy. It’s a predicament Snodgrass can relate to, having as soon as been the one feminine lawyer at her regulation agency.
“I actually had a bunch of male attorneys from this huge workplace constructing run downstairs, and I heard them calling, ‘We hear Charlie’s employed himself a woman. The place’s the lady?’” Snodgrass says. “They usually all got here and checked out me in my workplace like I used to be a creature in a zoo. It was very weird.”
Take heed to the whole interview with Melinda Snodgrass in Episode 370 of Geek’s Information to the Galaxy (above). And take a look at some highlights from the dialogue under.
Melinda Snodgrass on her father:
“My dad was simply implausible, he was the middle of my life. I liked him a lot, and he gave me each alternative—to review opera in Europe, to journey horses, once I was 16 he sat me down and stated, ‘We’re opening a checking account and you need to handle it,’ and on and on. On the time of his dying he was managing a small pure gasoline and oil firm, and now I really handle the corporate. I took it over in 2002, and I’ve been working it ever since. So I’ve this sense of historical past with being the inheritor obvious—or the heiress obvious—to a enterprise. … It’s bizarre although, as a result of at instances my dad would slip. I had a half-brother, who was a fantastic deal older than I used to be, and pop would typically say, ‘My different son, John.’ After which individuals like Senator Montoya, who was having lunch with us that day, was laughing and saying, ‘Wait a minute, what’s she?’”
Melinda Snodgrass on Roger Zelazny:
“Roger and I grew to become very shut within the ultimate two years of his life. He joined our gaming group, he would come and have dinner at our home many, many evenings. He was simply essentially the most charming, sort particular person I’ve ever identified. … Once I had simply began writing, this literary agent that I had—who was additionally Victor Milan‘s and Bob Vardeman‘s agent—we have been all at this dinner, on the native science fiction conference, and she or he stated, ‘It’s important to change your title.’ And Roger instantly stated, ‘No. No she doesn’t.’ He stated, ‘Have a look at my title. Though I’m on the underside shelf in each bookstore, no one forgets my title.’ And he turned to me and he stated, ‘Don’t you modify your title, as a result of no one will ever overlook that title.’ And I saved it.”
Melinda Snodgrass on the Jean Cocteau Cinema:
“[George R.R. Martin] has turned it into in all probability the perfect science fiction impartial bookstore within the Southwest. As a result of along with the little movie show, there’s a bar—they’ve a liquor license—after which there’s concessions, and he has artists are available in and grasp their artwork for just a few weeks, so that you get to see numerous Santa Fe artists, and he has all of our books. And after they’re not doing motion pictures, he’ll have occasions. Connie Willis will come down, and I’ll interview her, after which she’ll do a signing afterward. … So you may go in and purchase some books, and have a White Walker Cocktail whilst you’re there, watch an impartial film, and when George is on the town you’ll usually discover him there, ensconced in his armchair by the hearth, within the evenings, to go to with individuals.”
Melinda Snodgrass on Star Wars: Episode V—The Empire Strikes Again:
“I used to be on this regulation workplace, and I hated it. I’d get into work within the morning, shut my door, cry for about quarter-hour, after which get management of myself and get on with work. … [Victor Milan and I] went to see The Empire Strikes Again, and we acquired to the scene with Yoda and Luke, and Luke says, ‘I’ll attempt,’ and Yoda says, ‘Do or don’t. There is no such thing as a attempt.’ And for some motive it was like a thunderbolt for me, and I used to be like, ‘I can spend the remainder of my life on this regulation agency, and in just a few years perhaps I’ll have the large workplace and I’ll be terrorizing some younger affiliate the way in which I’m being terrorized, or I can attempt to chart my very own life. ‘Do or don’t, there isn’t a attempt.’ So I walked into the workplace the following morning, I typed off a letter of resignation, I packed up my crops and my diplomas, I laid it on my boss’s desk, and I walked out.”