The bare-chested lady holds a dagger to her bosom. Her sorrowful face, forged in shadows, appears heavenward. The portray, titled “Lucretia” in honor of the Roman heroine who killed herself after being raped, is made extra poignant as a result of it was created round 1627 by Artemisia Gentileschi, herself a sufferer of sexual violence. The artist — lengthy neglected — now could be thought of essentially the most consequential feminine painter of seventeenth century Italy.
The Getty Museum on Monday introduced that it had acquired the portray from an undisclosed vendor and that the work can be on view when the museum reopens to the general public. The Getty has not introduced a reopening date however indicated Monday it will be “within the coming weeks.”
Gentileschi’s life story is as fascinating because it was fraught, and her disappearance on the radar of artwork historical past till the early twentieth century speaks to the sexism of the artwork world. She achieved fame in her day, however not with out nice difficulties. She lived for a time in Florence the place she was supported by the Medici household and skilled notable private success. In 1616 she turned the primary lady to achieve membership to the Accademia del Disegno, the primary true artwork academy, after which she cultivated a global clientele.
Born in 1593, Gentileschi was the daughter of celebrated painter Orazio Gentileschi. She studied below his steerage as a younger lady. His legacy forged a shadow on her work, which was initially steeped within the model of Caravaggio.
The defining second of her life got here in 1611 when at 17 she was raped by the panorama painter Agostino Tassi, who was working with Gentileschi’s father on the vaults of On line casino delle Muse contained in the Palazzo Pallavicini-Rospigliosi in Rome. Gentileschi held Tassi accountable within the trial, throughout which she was tortured utilizing thumbscrews in an effort to make sure the veracity of her account. Tassi was convicted and sentenced to banishment, however the punishment by no means was carried out.
“Her achievement as a painter of highly effective and dramatic historical past topics is all of the extra outstanding for the abuse and prejudice that she suffered in her private life — and which is palpably current in Lucretia’s suicide, and different of her work the place the central protagonist is a wronged or abused lady,” mentioned Getty Museum Director Timothy Potts within the announcement. “On this and lots of different methods, Artemisia’s ‘Lucretia’ will open a window for our guests onto essential problems with injustice, prejudice and abuse that lie beneath the beguilingly stunning surfaces of such works.”
Within the Seventies Gentileschi caught the eye of feminists when artwork historian Linda Nochlin explored her work in a part of an article titled, “Why Have There Been No Nice Ladies Artists?”
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